Redesigning a complex brand identity for a sensitive demographic, focusing on WCAG accessibility, cross-medium consistency, and ease of use.
750 words (Approximately a 4 minute read)
How do you scale warmth? That was the core question for Aura, a family-run direct cremation service. They had a compassionate team, but their brand visuals were creating coldness and confusion just when users needed clarity most.
By rebuilding their brand identity with an “Accessibility-First” philosophy, I transformed their digital presence from a barrier into a bridge. The result was a unified system that didn’t just look better—it measurably improved readability for their 60+ demographic and empowered their internal team to produce consistent, high-quality assets without designer intervention.
Aura’s core demographic is people aged 60-85. This group faces specific digital challenges: visual impairment, anxiety around technology, and a need for high-contrast clarity.
The existing brand was actively fighting these needs:
The goal wasn’t just a “refresh”—it was to remove the friction between the service and the people who needed it.
I approached the rebrand as an engineering problem as much as a design one. Every aesthetic choice had to pass a strict functional test: Does this make the service easier to use?
I moved the brand from Akzidenz Grotesk to Rubik. This wasn’t a stylistic whim; it was a functional upgrade. The previous typeface combination of Akzidenz Grotesk and Darker Grotesk had historical roots in print, and its inconsistent, offset apertures created a crowded, claustrophobic feel on digital screens.
Why Rubik?
Why not Open Sans? I considered Open Sans, but it felt slightly too rounded and generic, edging closer to competitors’ visual language. Rubik provided a better balance between unique character and professional clarity, without the complex licensing costs of other modern geometric sans-serifs.
Accessibility often gets treated as a compliance checklist. I made it the creative constraint.
The “Orange” Problem Orange presents significant accessibility challenges when paired with white and black. Achieving WCAG 2.1 AA contrast ratios requires careful calibration and often forces compromises. Rather than fighting this, I embraced it.
To ensure the system remained robust long after I handed it over, I established five fundamental principles:
The brand needed to feel human, but custom illustration is expensive and slow to produce. I created a scalable library of SVG assets with built-in logic:
The rebrand delivered more than just a new coat of paint. It became an operating system for the company’s growth.
Great design doesn’t just look good; it clears the path for the user. In this case, it ensured that technology never stood in the way of compassion.